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Graceland, Beale Avenue and extra

Directed by Baz Luhrmann, the writer of Australia’s extravaganza, the brand new biopic “Elvis” opens in theaters throughout the nation on June 24.

Warner Bros. hopes the rock and roll epic, which reportedly price greater than $150 million to supply and market, will show that moviegoers are wanting to expertise the dazzle on the large display that does not depend on comedian e-book superheroes or Tom Cruise. in a cabin.

Most people expects to be entertained and maybe enlightened.

However in Elvis’s adopted hometown of Memphis, maybe we anticipate extra: We wish to see Memphis, or no less than an Australian recreation of it.

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In that sense, “Elvis” doesn’t disappoint. Unsurprisingly, the movie is loaded with Memphis moments and references, the best way an Elvis jumpsuit is loaded with valuable stones and semi-precious metals. Some moments are comparatively insignificant (a prop version of the now-defunct night paper, the Memphis Press-Scimitar); some are actually heavy (Walter Cronkite’s voice, breaking the information of the assassination of Dr. Martin Luther King Jr.)

We might enumerate lots of these allusions to Memphis. However this is a manageable record: Listed below are 10 Memphis moments, references, or issues to search for in “Elvis.”

The primary ‘Crown’ of the King, on Beale Avenue

References to Memphis pile up like layers of a Dagwood sandwich throughout an early scene of “Elvis,” when the long run King of Rock ‘n’ Roll (Austin Butler) drives down Beale Avenue in his Crown Electrical pickup, wearing his Crown Electrical uniform, and parks beneath a faithfully recreated “Membership Helpful” neon signal. Beale stays a key spot; it is the place Elvis meets influences like “Massive Mama” Thornton (Shonka Dukureh), Little Richard (Alton Mason), Sister Rosetta Tharpe (Yola), and BB King (Kelvin Harrison Jr.), who’s featured searching for outrageous outfits at Lansky Brothers. , the haberdashery that may proclaim itself as “Clothier to the King”. As “Colonel” Tom Parker (Tom Hanks) says within the film: “He was loopy about all of the Beale Avenue music. He had Beale Avenue stars in his eyes.”

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